Dimensions: support: 243 x 337 mm
Copyright: CC-BY-NC-ND 4.0 DEED, Photo: Tate
Editor: This watercolor, "A Bridge on the River Ticino, near Polleggio," by William Pars, captures a dramatic scene. The scale feels intimate, yet the subject is grand. What do you see in this piece? Curator: It’s a dance, isn't it? A dialogue between the human touch—that delicate bridge—and nature's raw power. Pars frames nature, literally, taming it for our contemplation, yet the cascading water defies such control. I wonder, are we meant to feel comforted or confronted? Editor: Confronted, definitely. I hadn't considered that tension. Thanks! Curator: The play of light is also very telling, the way the white of the water almost glows in contrast to the darker rocks. It shows nature's beauty but also its inherent danger. It is almost a metaphor for life! Food for thought, wouldn’t you say?
http://www.tate.org.uk/art/artworks/pars-a-bridge-on-the-river-ticino-near-polleggio-t08276
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Like many of the landscape draughtmen of his day, Pars was chiefly dependent for his livelihood on aristocratic patronage and on the demand for careful records of antiquarian and topographical subjects. This watercolour documents a site he saw on a tour through Switzerland in 1770 with his patron Henry Temple, second Viscount Palmerston. Pars brings to the best of his work a degree of expressiveness which is unusual for works of topography at this date. Here, by boldly raising the arch of the stone bridge against the sky, he has produced a very daring composition, and he has coloured it very vividly in strong greens and yellows. Palmerston has inscribed the word 'marvellous' on the mount. Gallery label, September 2004