Plan for the White City 1950

Perle Fine created this abstract piece, titled 'Plan for the White City,' using paint. The canvas presents a fascinating interplay of structure and fluidity, where bold colors dance within a carefully organized composition. Notice how Fine uses a limited palette of red, yellow, and blue against a muted background to create a sense of depth. The juxtaposition of geometric shapes and organic lines adds to the visual tension of the artwork. This pushes the boundaries of abstract expressionism, moving towards a structured yet expressive form. Here, form destabilizes established meanings, values, and categories. By embracing abstraction, the artist invites us to reconsider our understanding of space, perception, and representation. Fine's work exemplifies how the formal elements of painting can engage with broader artistic and philosophical concerns, challenging viewers to actively participate in constructing meaning.