Assumption of the Virgin 16th-17th century

Editor: This is Aegidius Sadeler II's "Assumption of the Virgin," housed here at the Harvard Art Museums. It's a monochrome print, and the detail is just incredible. All the figures are so expressive! What catches your eye in this piece? Curator: Consider the formal arrangement. The composition rises vertically, directing our gaze upwards. The interplay of light and shadow, achieved through sophisticated engraving, creates a dynamic tension. Notice how the artist employs chiaroscuro to model the figures, lending them a sculptural presence. Editor: Yes, the contrast really emphasizes the Virgin Mary. Curator: Precisely. The Virgin, bathed in light, serves as the focal point, while the apostles below are cast in shadow. How does this contrast contribute to the overall meaning? Editor: It really highlights the divine nature of the Assumption. Thanks for pointing that out! Curator: A close examination of its formal elements allows for a richer appreciation.