Portrait of Sir Benjamin Thompson, Count von Rumford by Jean-Baptiste-François Bosio

Portrait of Sir Benjamin Thompson, Count von Rumford 1780 - 1827

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drawing, print, paper, ink

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portrait

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drawing

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neoclacissism

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print

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charcoal drawing

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paper

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ink

Dimensions 6 5/8 x 4 1/2in. (16.8 x 11.4cm)

Editor: Here we have Jean-Baptiste-Francois Bosio’s "Portrait of Sir Benjamin Thompson, Count von Rumford," a drawing done sometime between 1780 and 1827, using ink and charcoal on paper. The count has this... I don't know, arrogant, self-satisfied posture. What strikes you most about it? Curator: The count's posture, as you pointed out, is key. It reflects the complex power dynamics of the time. Consider his stance—leaning against a tree, hand nonchalantly in his pocket. This is not simply arrogance. How does it make you think about class and privilege during that period? Editor: Well, he seems very sure of his place in society. Relaxed, like he doesn't have a care in the world. I guess, just comfortable being a wealthy white man at that time. Curator: Exactly. But it's more than just wealth; it's about the social and political structures that allow and even encourage that kind of confidence. What does his clothing tell us, and what social function does clothing and display serve in that moment in history? Editor: He’s dressed formally, but not excessively, like a controlled display of status. The boots could suggest something military. Curator: Precisely! This image also hints at scientific pursuits, because of Rumford’s contributions to thermodynamics, though he also designed improved stoves for the poor! Do you think Bosio wants to say something about the relationship between social responsibility and scientific power? Editor: Maybe. The complexities of portraying a man who modernized cooking stoves for the poor, but whose wealth derives from a highly unequal society, and has an emblem of status on his coat... It is really conflicting. I hadn’t thought about all those power dynamics. Curator: That tension is crucial! We must continuously engage with these portraits not just as images of individuals, but also as mirrors reflecting the socio-political ideologies of their time. Thanks for your engagement! Editor: Thank you! It gave me a lot to consider beyond the surface.

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