The Conversation 1875 - 1879

Curator: "The Conversation," painted by Marcellin Desboutin between 1875 and 1879. Two women, locked in what feels like a rather intense tête-à-tête, umbrellas warding off sun or perhaps unwanted eavesdroppers. What strikes you most when you look at this piece? Editor: I’m drawn to how intimate yet slightly closed-off the scene feels. They're clearly engaged in a private moment, but their faces suggest something other than easy laughter. The details in their clothing and parasols also pop out. How do you interpret the atmosphere Desboutin creates? Curator: Atmosphere, yes! It’s a layered thing, isn't it? There’s a social commentary whispered in the brushstrokes. I imagine them as players on a stage. Do you notice how the darkness hugs around them, making their interaction appear as the scene’s central drama, like a spotlight? It reminds me of charcoal drawings I did when younger, quickly captured moments on streets with deep contrasts that say so much. What do you make of the umbrellas? Editor: I hadn't thought of that! I see them more like, the umbrellas offer intimacy and shelter to this conversation and create the separation you mention. Given the Impressionistic style and their elegant attire, perhaps it is the latest gossip among high society? Curator: Perhaps a hushed deal being struck! I suspect the dark brushstrokes, almost claustrophobic, convey more of a need to maintain an appearance of dignity than a moment of levity or a heart-to-heart with an adoring confidante. Their social status might force the conversation into hushed corners; maybe something slightly shady simmers below that silk. It makes one wonder what secrets they guard. Did you catch the tension? Editor: Definitely; there is this closed-off vibe, in a somewhat relaxed pose! I hadn't considered the secrets aspect, the social pressure behind what we see; fascinating how painting can hide little treasures. Curator: Hidden worlds are always the most delectable to dig into. Now that you are aware of this tension, what is your feeling when viewing this? Editor: A new understanding that surfaces can be deceiving. I came in thinking Impressionism was only brushstrokes and pretty colors! Curator: Art, as life, my dear friend!