Femme au repos 1940

Le Corbusier, the renowned architect, also explored painting, as seen in "Femme au repos." Consider how this work challenges and reinforces the traditional representation of women in art. The reclining female form has deep roots in art history, often presented from a male gaze. Here, the juxtaposition of two distinct renderings of the female figure encourages a dialogue about representation, objectification, and the multifaceted nature of female identity. One woman is fragmented and caged, while the other is expressive, as though released and vocal. The artist once said, "The purpose of art is to raise people above nature." What do you think about the way that Le Corbusier raises the notion of women and nature in this painting? It invites us to consider the cultural and societal impositions on women, asking us to look beyond the surface, finding moments of recognition.