Interieur met een vrouw staand naast een lezende man 1831 - 1890

This print, made by Jean Baptiste Pierre Michiels, probably dates to the mid-19th century and was made using etching and other techniques. The effect is almost photographic, but like a black and white photo, it is in fact built from countless tiny actions. Looking closely, you'll see the evidence of physical labor: the marks of the needle, the acid biting into the metal, the controlled application of ink, and the pressure of the printing press. These actions have imbued the artwork with a social and cultural significance, reflecting the economic and political issues of the time. The woman's dress, for instance, may have been produced by exploited labor. The interior setting too is important, as books and letters have been democratized. By considering materials, making, and context, we can understand the full meaning of this artwork, challenging traditional distinctions between fine art and craft.