Church of St. Etienne le Vieux, Caen by Joseph Cundall

Church of St. Etienne le Vieux, Caen before 1865

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print, photography, architecture

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print

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landscape

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photography

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architecture

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building

Dimensions height 115 mm, width 80 mm

Curator: We're looking at a photographic print of the Church of St. Etienne le Vieux in Caen, taken sometime before 1865, captured by Joseph Cundall. Editor: It strikes me immediately as incredibly fragile. The soft sepia tones and the somewhat blurred edges give it a sense of faded grandeur. A ghost of a building, almost. Curator: Indeed. Cundall's choice to document this particular church is interesting. St. Etienne le Vieux was already in a state of ruin by this period. There's a certain poignancy in photographing a decaying religious structure when church and state were undergoing significant shifts. Editor: That dilapidation is very present. Notice the composition, though: The church looms, filling almost the entire frame, yet its structure is visible, the play of light and shadow defining the gothic arches and the spire. It is not just about what is decaying, it is how the structure once functioned, and the ideas behind its creation. Curator: Agreed. There’s an interplay between documentation and artistry. This photograph isn’t merely a record; it is also, consciously or unconsciously, positioning this image of a religious institution. What kind of power do images hold to immortalize ruins? How can an institution stay afloat when there are ruins literally and figuratively showing a loss of power and significance? Editor: Exactly! One can certainly appreciate the intricate details, the play of light and shadow, the very composition which guides our eyes through the image – without disregarding its socio-historical importance and relevance, especially with architecture in relation to church. There’s a conversation occurring here beyond the surface. Curator: An architecture frozen, at a critical juncture, in time by light and chemicals... I now leave with an added question for this journey of understanding its deeper significations. Editor: Agreed. I see a church beyond the literal one - this photographic choice truly made its mark on this architectural image of Normandy.

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