Sketch for ‘Bellerophon Taming Pegasus’ by Jacques Lipchitz

Sketch for ‘Bellerophon Taming Pegasus’ 1964

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Dimensions: object: 522 x 407 x 127 mm

Copyright: © The estate of Jacques Lipchitz, courtesy, Marlborough Gallery, New York | CC-BY-NC-ND 4.0 DEED, Photo: Tate

Editor: This is Jacques Lipchitz’s plaster sketch for ‘Bellerophon Taming Pegasus.’ It’s powerful! All that struggle captured in this small sculpture; what statements do you think Lipchitz was trying to make with this piece? Curator: Lipchitz, grappling with the rise of fascism, frequently used mythological subjects to explore themes of power, control, and ultimately, resistance. Bellerophon's taming of Pegasus could be seen as a metaphor for the subjugation of freedom. How does the raw, almost violent texture of the plaster contribute to this interpretation? Editor: I see what you mean. The roughness definitely adds to the feeling of conflict and the difficulty of Bellerophon's task. Curator: Exactly. And consider the pedestal – a classical form supporting this turbulent scene. Does that contrast suggest anything about the supposed stability of tradition in the face of upheaval? Editor: Wow, I hadn't thought about that. I was too focused on the figures. Thanks for pointing that out! Curator: Of course. It is vital to not only consider the what, but also the how and why.

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tate 10 months ago

http://www.tate.org.uk/art/artworks/lipchitz-sketch-for-bellerophon-taming-pegasus-t03480

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tate 10 months ago

For Lipchitz, the capture of the flying horse Pegasus by the Greek hero Bellerophon symbolised the control of nature by human intelligence. He selected the theme specifically for a sculpture at the Columbia University School of Law in New York. Bellerophon stands at the bottom of the composition, pulling down Pegasus's head and tying a rope around his neck. The final sculpture, set in place in 1977, is more than eleven metres high. Gallery label, August 2004