Figure of Pity c. 16th century

Editor: This woodcut, "Figure of Pity," is by an anonymous artist and resides here at the Harvard Art Museums. It has an emotionally potent feel. What symbols are particularly resonant for you? Curator: It’s striking how the symbols of Christ's suffering are not merely illustrative, but active participants. The dice, the rooster, the mocking faces, all contribute to a powerful narrative of memory. Notice how the symbols guide our feelings. What do you think about the artist's intent in assembling these? Editor: It's like a visual catalogue of betrayal and suffering, designed to evoke empathy. I suppose it's meant to create contemplation for the viewer. Curator: Precisely. The symbols create a continuity. They remind us that the past is always present, shaping our understanding of suffering and redemption. Editor: It’s amazing how much meaning can be packed into such a small, stark image. Curator: Indeed; each element echoes through time, bearing the weight of cultural memory.