Gorômaru en Minamoto Yoritomo by Utagawa Yoshiume

Gorômaru en Minamoto Yoritomo c. 1848

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print, woodblock-print

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portrait

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print

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asian-art

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ukiyo-e

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figuration

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woodblock-print

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history-painting

Dimensions: height 249 mm, height 173 mm

Copyright: Rijks Museum: Open Domain

Curator: Let’s explore “Gorōmaru en Minamoto Yoritomo,” a woodblock print created around 1848 by Utagawa Yoshiume. The tension practically leaps off the paper. The figures seem poised for some significant action. Editor: Yes, the arrangement certainly creates a dramatic visual dynamic! Notice the pronounced diagonals formed by the sword and the figures' gazes. The color palette is restrained, dominated by blues, which amplify the starkness of the narrative. Curator: The historical context of the ukiyo-e genre is so crucial here. Prints like this weren’t just art objects; they were affordable mass media reflecting and shaping popular views of history and performance. Think about the role of figures like Minamoto Yoritomo. How are they mythologized and what stories are these images supporting? Editor: Precisely. Yoshiume's sharp lines, bold outlines, and theatrical use of color and pose denote an affinity with Kabuki aesthetics. And it appears that both characters depicted here appear as actors onstage. But the work isn't merely representational. Note the texture created through the woodblock technique. How does that material quality affect our perception? Curator: The material lends itself to the emotional tone of the scene— a sort of reverence and honor, in relation to class, politics, and gender during the Edo era. Yoshiume captures a fleeting moment of tense encounter, a freeze frame from an ongoing social narrative. It suggests deeper connections between loyalty, performance, and power. Editor: It's striking how Yoshiume's choices about the surface impact the viewer. Thinking of how this piece creates cultural meaning underscores why artworks have ongoing, vibrant lives in our times, just as it did in Yoshiume's moment. Curator: Absolutely! Yoshiume’s artistic choices open conversations about how representations of power and honor continue to affect gender and class dynamics now. What could an image of such limited circulation during its production reveal about our present world?

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