Gezicht op het Pesthuis (Buitengasthuis) bij Amsterdam 1663

Jacob van Meurs’ engraving depicts the Pesthuis, or plague house, near Amsterdam. Beyond the building’s ominous presence lies an unassuming field dotted with grazing cattle. Cattle, throughout history, have been potent symbols, linked to notions of health, nourishment, but also disease. In ancient cultures, the bull was revered for its virility and strength, but also feared for its destructive potential. We see echoes of this duality in the myths of the Minotaur, a beast of both divine and monstrous origins, embodying the duality of human nature itself. In van Meurs’ depiction, these animals unconsciously reflect the psychological tension inherent in the scene – the juxtaposition of life and death, health and disease, that permeated daily life in times of plague. The bucolic scene is forever tainted by the shadow of the Pesthuis in the background. These images resurface, evolving in meaning, yet perpetually linked to our collective memory of vulnerability.