Intersection 1965

Charles Hinman’s "Intersection" presents us with two canvases, each a vibrant dialogue of color and form. The stark white triangles bisected by curves of yellow recall the classical motif of the vessel, an ancient symbol of potentiality and transformation. Consider how the vessel appears in Minoan pottery, pregnant with the promise of harvest, or in early Christian art, where the chalice symbolizes spiritual communion. Yet, in Hinman's hands, the vessel is deconstructed, its essence distilled into geometric abstraction. The choice of colors further enriches our understanding. White, often associated with purity and new beginnings, is juxtaposed with blue and black, colors that can evoke both serenity and the unknown depths of the subconscious. The golden curve, shining like a beacon, may represent enlightenment. This composition, though seemingly modern, resonates with ancient echoes. It illustrates our continuous quest to find meaning within abstract forms. The subconscious allure of these shapes and colors engages us on a profound level, where cultural memory shapes our perception.