Georgia O'Keeffe 1928

Editor: This is a gelatin silver print, a photograph titled "Georgia O'Keeffe," created in 1928 by Alfred Stieglitz. I’m struck by how timeless it feels, yet there's also a weight of history in her gaze. What do you see when you look at this portrait? Curator: I see a powerful woman consciously shaping her own image. Consider the severe lines of her clothing against the soft curve of her face; her steady gaze directed just off frame. There is strength and intentionality, almost a performative element here. Have you noticed her austere, almost nun-like, head covering? Editor: Yes, and the stark contrast between her white shirt and dark sweater really focuses my attention. It feels very deliberate, not at all casual. Curator: Precisely! Stieglitz, with his modernist eye, captures O'Keeffe not just as a subject but almost as an icon. The photograph transcends a simple likeness. It is an evocation of her artistic persona, distilling a complex woman into a visual symbol of independence and artistic integrity. It recalls early traditions of female artists depicting themselves in humble attire, yet with strong countenances and unwavering will. Does it bring any specific historical figures to mind for you? Editor: Thinking about her almost minimalist look... maybe depictions of early female doctors or scientists? The clothing conveys practicality. It almost reminds me that she’s got important work to do. Curator: Exactly. That echoes through time; from images of women of science in lab coats, to artists wielding a paintbrush, they choose a kind of uniform, reinforcing commitment to their vocations. A visual reminder of dedication to her craft and strength of will that cuts through conventions of the time. I’d never considered her hat like that before.