Drie mannen en twee vrouwen vissend in een boot 1836 - 1912

This print, by Isaac Weissenbruch, captures three men and two women fishing in a boat, rendered using the graphic medium of etching. The network of fine lines, a hallmark of the etching process, creates a sense of depth and detail, from the rippling water to the figures in the boat. The process begins with a metal plate, usually copper, coated with a waxy, acid-resistant substance. The artist then draws through this coating with a sharp needle, exposing the metal beneath. When the plate is immersed in acid, the exposed lines are bitten into the metal. Ink is then applied to the plate, filling the etched lines. The surface is wiped clean, and the image is transferred to paper under high pressure in a printing press. Prints like this democratized art in the 19th century. They could be produced in multiples and circulated widely, playing a crucial role in shaping visual culture. Weissenbruch’s choice of etching reflects a broader trend of artists engaging with printmaking as a means of connecting with a wider audience, and the social issues of labor and everyday life. By understanding the materials and processes involved, we gain a deeper appreciation for the artistry and cultural significance of this work, blurring the boundaries between fine art and craft.