Snuffers 1765 - 1766

Editor: These "Snuffers" by John Buckett, dating back to 1765 or 1766, are made of silver and residing here at the Metropolitan Museum of Art. I find it fascinating how a utilitarian object can be elevated to such a decorative form. I mean, look at all of that engraving. How would you interpret this piece, from a historical perspective? Curator: It’s important to consider objects like these, not just as decorative pieces, but as signifiers of social status and evolving social rituals. Tobacco use, especially snuff, was widespread among the elite in the 18th century. These weren't just tools; they were symbols of refinement and leisure. Their craftsmanship broadcasted wealth. Editor: So, the level of detail acts like a sort of status symbol, then? Curator: Exactly. The intricate design, the precious materials, all point to the user’s place in society. The Baroque influence is clear in the ornate details, fitting the taste of the wealthy. Think about how these items would be displayed, handled, and discussed; that is where their meaning crystallizes. Who do you imagine would own something like this, and what statement were they trying to make? Editor: Someone keen on flaunting their wealth in a very subtle way, perhaps. Not shouting, but definitely making a statement about having exquisite taste. It makes me wonder, though, how such small objects shape bigger cultural trends and habits. Curator: Indeed. And by examining the changing forms and materials of objects like snuffers, we gain insights into shifting cultural values, manufacturing capabilities, and even colonial trade routes of the era. The politics of imagery, even on something as small as this, speak volumes. Editor: It is a beautiful little insight. Thinking about the wider culture of consumption, display, and aspiration really unlocks new layers of understanding for me. Curator: Agreed. Context shapes everything.