Card Number 52, Minnie Dupree, from the Actors and Actresses series (N145-2) issued by Duke Sons & Co. to promote Cross Cut Cigarettes by W. Duke, Sons & Co.

Card Number 52, Minnie Dupree, from the Actors and Actresses series (N145-2) issued by Duke Sons & Co. to promote Cross Cut Cigarettes 1880s

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drawing, print, photography

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portrait

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drawing

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print

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photography

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19th century

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men

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realism

Dimensions Sheet: 2 5/8 × 1 7/16 in. (6.6 × 3.7 cm)

Curator: Up next we have Card Number 52, Minnie Dupree, part of the Actors and Actresses series published by Duke Sons & Co. in the 1880s to advertise Cross Cut Cigarettes. Editor: My first thought is that this image conveys a sense of reserved beauty, like a staged theatrical pose meant to capture innocence. The soft focus adds a hazy, dreamlike quality. Curator: It’s fascinating how such an ostensibly commercial image speaks to broader issues of representation. These cards helped construct and circulate ideals of feminine beauty, very deliberately. What does it tell us about the consumption of images and people in that era? Editor: Right! Let's explore some visual anchors: Notice how the subject’s loose hair echoes similar depictions of water nymphs and mythological spirits in paintings and literature of the period. And observe the garden background: it positions Minnie within established conventions of romantic femininity. Curator: Exactly. The setting is anything but random! Placing Minnie within this almost etherealized garden space directly impacts her construction as a commercial icon but also more deeply impacts the perception of femininity, doesn't it? We need to question these types of cultural messaging that place women inside or outside of nature to be either desired or demonized. Editor: True. Even the muted sepia tones seem significant. Sepia evokes nostalgia, a longing for a past, or a gentler era. What's your read of the "Cross Cut Cigarettes" tagline blazoned so clearly? Curator: Cigarettes and actresses intertwined? We see here the burgeoning link between women’s emancipation, consumer culture, and a shifting morality. Advertising employed powerful rhetoric associating cigarette use with beauty, independence, and modernism. This fueled complex intersections of women's status in society. Editor: That’s powerful! Curator: Right? The interplay between visual language and cultural context offers such a fertile ground for discussion here. It gives us insight to examine historical precedents related to women and celebrity, advertising and commodification that shape present conditions today. Editor: I leave feeling deeply connected to the symbolic encoding from generations ago—encoded ideals of beauty and longing and their power in collective imagination to shape perceptions even now.

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