Calaïs en Zetes helpen Phineus 1655

Editor: Here we have "Calaïs en Zetes helpen Phineus," a 1655 engraving housed in the Rijksmuseum. The strong lines and mythological subject matter give it a grand, almost theatrical feel. What do you see in this piece that expands on its historical or cultural importance? Curator: This print reflects the enduring appeal of classical mythology in the Baroque era, specifically Valerius Flaccus's Argonautica, published during the rise of European colonialism and scientific revolutions. The depiction of winged figures aiding Phineus highlights the era's interest in divine intervention and heroism, while also possibly reflecting political and social hierarchies of the time. How do the choices of the artist here reflect what they considered virtues or ideals for the audience? Editor: It is interesting to consider ideals… Their assistance could portray values like courage or divine assistance, especially within the political landscape of the time. I am wondering if representing them as beautiful almost angelic could also suggest an element of control being exerted over Phineus? Curator: Absolutely. The classical stories served didactic purposes; artists would use them to talk about morality and justice within their present socio-political context. Also, the distribution of prints allowed a broader audience to interpret the messages embedded within, reflecting or reinforcing dominant ideologies. Do you see any hints as to the kind of audience this print might have been intended for? Editor: Knowing it would have been relatively accessible due to being a print… I think this piece shows how even mass produced art engages in larger cultural conversations that reinforce dominant ideas but leaves room for discourse. Thank you! Curator: Indeed, thinking of the piece as part of a wider public debate on values really deepens how one engages with its formal elements.