Genso and Yokihi 1810 - 1830

Yashima Gakutei’s ‘Genso and Yokihi’ is a Japanese woodblock print which presents a moment of intimacy between Emperor Xuanzong of Tang, also known as Genso, and his concubine, Yang Guifei, or Yokihi. Made in the early 19th century, the print demonstrates the persistent presence of Chinese culture in Japanese art and political thought. The figures are adorned in luxurious robes marked with intricate patterns which suggest wealth, status, and artistic patronage. The scene is framed by a hanging lantern and screen inscribed with classical poetry in elegant calligraphy. Gakutei’s image presents an idealised vision of imperial life; a vision that has strong links with the culture of the Japanese court and its ruling class. As art historians, we can use sources such as court records, literature, and social histories to better understand the values, priorities, and social structures of the time. With these sources, we can interpret art and its role within society.