Grafsteen van Frederick Octavius Bench op het kerkhof van Brading Possibly 1889
photography, gelatin-silver-print
portrait
water colours
landscape
photography
gelatin-silver-print
Dimensions height 84 mm, width 74 mm
Here we see a gravestone of Frederick Octavius Bench in a photograph by Henry Pauw van Wieldrecht. The stone is framed with a rope motif, a symbol laden with maritime and emotional weight. The rope, a lifeline for sailors, also binds us to memory. Think of the ancient mariners, their voyages etched in collective memory, their tales woven into the fabric of culture. This motif is not merely decorative; it is a symbolic echo resonating through time. Consider the Laocoön group, where snakes entwine the figures in a tragic tableau. The binding evokes a primal fear and the inevitability of fate. Similarly, the rope here suggests a connection, a tether to the mortal coil, yet also a boundary, a closure. It underscores the solemnity of the site, reminding us of our shared human destiny.
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