Autoportrait de l'artiste et de sa femme Rachel Ruysch 

This is a double portrait by Juriaen Pool, portraying himself with his wife Rachel Ruysch, in which smiles cut across the canvas, a rare sight in the more sober artistic conventions of the period. Consider the smile, a universal gesture of joy, yet laden with cultural nuances. In ancient Greece, the archaic smile appeared on statues, embodying a sense of vitality. Here, in the 18th century, it conveys personal warmth and connection. The smile has a protean nature, appearing throughout time, transformed by each era. Think of the enigmatic smile of the Mona Lisa, hinting at unseen depths, or the mischievous grins in Frans Hals’ portraits, capturing fleeting moments of exuberance. These expressions are not merely painted, they are felt. The smiles across this canvas remind us that art is more than mere representation; it stirs primal emotions, creating connections that transcend time.