Mary, Queen of Scots, with a small scene of the queen on the scaffold, being prepared by her ladies for execution 1824 - 1825

This print depicting Mary, Queen of Scots was made by James Joshua Neele, sometime between 1791 and 1868. The composition is divided into two distinct sections, a formal portrait above and a narrative scene below. The upper register shows a close-up portrait with delicate cross-hatching to define the Queen's features, highlighting her elaborate ruff and gown. Below this, the artist uses linear perspective to construct the scene of Mary's execution. Neele contrasts Mary’s poised dignity with the grim event unfolding. Note how the detailed rendering and tonal range of the composition adds to the emotional weight of the image. The artist uses the printmaking medium to create a sense of historical drama and commentary. The arrangement, with its stark contrast between individual portraiture and public execution, invites reflection on power, sacrifice, and the construction of historical narratives.