Italy 6 1964

Robert Frank made this gelatin silver print, Italy 6, at some point in his lifetime. The beauty of photography, like painting, lies in its process; the way the artist coaxes an image to life through a series of choices. Here, Frank gives us the bare bones, the filmstrip itself. There’s something about seeing the process laid bare that’s so intimate. The dark blacks of the print make the images feel like little windows. Notice the scratches and imperfections on the film, each a record of the artist’s hand, the dark room, the materiality of the medium itself. And right there, in the middle, a frame blurred beyond recognition, a beautiful accident. It reminds me of Gerhard Richter's blurred paintings – that same embrace of chance and imperfection. Ultimately, Italy 6 is a testament to the beauty of seeing, recording, and letting the unexpected shape our vision.