Beeld van Justitia (Gerechtigheid) op de voorgevel van het Stadhuis op de Dam 1663 - 1783

This print by Hubert Quellinus captures the sandstone sculpture of Lady Justice, which adorned the facade of Amsterdam’s Town Hall. The printmaking process itself is significant, enabling the wide distribution of imagery and ideas in the 17th century. The choice of sandstone for the original sculpture is also key. It was relatively easy to carve, allowing for detailed work. This carving was skilled labor. The process imbues the figure with a sense of civic authority and permanence. Notice the level of detail: the folds of her classical robes, and the carefully balanced scales. Her staff, topped with an all-seeing eye, symbolizes impartiality. But there’s also a tension here. Sandstone, while workable, is also susceptible to erosion. Was this a conscious choice, reminding viewers of the fragility of justice itself? By considering the material, the making, and the social context, we gain a richer understanding of the artwork’s meaning.