De baadster en de Dood 1855 - 1857

Rodolphe Bresdin sketched 'The Bather and Death' with graphite, depicting a scene laden with symbolism. The image merges the traditional theme of a bather, often associated with classical ideals of beauty and purity, with the stark presence of death. Made in France, in the 19th century, this juxtaposition reflects the era's fascination with mortality, particularly during and after periods of social upheaval such as the 1848 revolution. The bather, seemingly oblivious or indifferent to the seated skeleton, may critique the superficiality of bourgeois society, absorbed in its own pleasures while ignoring the inevitable. Bresdin, who lived a bohemian existence, often created works that contained social commentary. Exploring this image further, we can delve into the literature and graphic arts of the time. These resources help us to place Bresdin's art within the debates of the 19th century and to appreciate the historical context that shaped his critical vision.