Card Number 36, from the Actors and Actresses series (N145-4) issued by Duke Sons & Co. to promote Cameo Cigarettes by W. Duke, Sons & Co.

Card Number 36, from the Actors and Actresses series (N145-4) issued by Duke Sons & Co. to promote Cameo Cigarettes 1880s

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drawing, print, photography

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portrait

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drawing

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print

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photography

Dimensions: Sheet: 2 11/16 × 1 3/8 in. (6.8 × 3.5 cm)

Copyright: Public Domain

Curator: What strikes me immediately is the mood—it's so gentle, like a whisper of a forgotten era. This faded photograph holds such fragile beauty. Editor: Yes, but consider it. This "Card Number 36" as it's formally known, comes from the "Actors and Actresses" series, created by W. Duke, Sons & Co. in the 1880s, intended as a promotional piece for Cameo Cigarettes. They were literally giving these away to sell more smokes! Curator: Ah, a love token sold with poison. I do find the layers fascinating; actress Lillian Russel, caught mid-pose, then reproduced in drawings and photography to become disposable ephemera. Did anyone consider then this little object's path? Editor: Likely not. Production value was crucial here. Think of the chain involved—from cultivating tobacco, processing materials, engraving, printing, all that labor boiled down to this fleeting moment of marketing! A real portrait of industrialized culture, right there in miniature. Curator: Still, Lillian Russel has such presence! See how her eyes, even faded, invite you in. It speaks volumes about the subject but also speaks of those lost ways. Such romantic sensibility captured so perfectly. Editor: Agreed on that portrait’s subject’s charisma. It makes this type of commercial printing transcend it´s intender. Still, imagine the scale. This particular print, though unique now, would have been stacked high on every corner, vying for attention. Curator: Well, even fleeting moments can carry truth and wonder. That tension, it keeps it fresh. Editor: Indeed. Its value, or at least part of it, emerges in time, far removed from its source; it is not intrinsic, but gained through cultural reinterpretation and an active economy.

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