Wapen van de landgraven van Hessen 1683 - 1733

Editor: Here we have Bernard Picart’s "Wapen van de landgraven van Hessen," created between 1683 and 1733, using pen and ink. The intricacy of the lines is just incredible! I'm curious, what do you see when you look at this heraldic drawing? Curator: I’m immediately drawn to the materiality of the ink itself. Consider the labor involved in creating such precise linework across this image, and how the quality of the ink affects the visibility and longevity of the piece. It tells a story of access, resources, and the very act of production. Do you see how the paper choice also contributes to the overall effect? Editor: Yes, now that you mention it, the texture of the paper seems essential. Does the composition speak to any historical trends in heraldry? Curator: Absolutely. Notice how the lions aren’t just decorative; they’re integral to the power dynamic this crest conveys. This was a society obsessed with class, and the very *means* of commissioning and displaying such art was restricted to the elite. Look closely, too, at the items framing the crest—how might those connect to the specific industries or wealth associated with the Landgraves of Hesse? Editor: I hadn’t thought about the materials reflecting access and power like that. It’s fascinating to see how even something seemingly symbolic connects to broader social structures. Curator: Precisely! We often forget the material realities behind art and design. Considering those aspects allows us to unpack power dynamics of artmaking in a capitalist society. Editor: Thanks for highlighting that perspective. It has totally reshaped my thinking about heraldry and this drawing in general!