Twee paarden, van achteren gezien 1896 - 1901

George Hendrik Breitner created this sketch titled "Twee paarden, van achteren gezien" using graphite on paper. The drawing offers us a glimpse into Breitner's method, focusing on form and motion. The composition is defined by the rhythmic lines that capture the muscular structure and the dynamic posture of the horses. Note the use of hatching to define the shadows, giving volume and weight to the figures despite the sketch's spare quality. The choice to depict the horses from behind removes any sense of direct engagement, inviting contemplation on the animal form. Breitner's attention to detail in the musculature can be seen as an attempt to capture not just the likeness but the very essence of the animal. This sketch is an exercise in pure form, reducing the subjects to their most essential lines. This method creates an intimate connection with the raw energy and physicality inherent in Breitner's subjects.