Bad Dream in Los Angeles by Robert Frank

Bad Dream in Los Angeles 1978

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wedding photograph

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photo restoration

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wedding photography

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colourisation

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archive photography

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historical photography

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old-timey

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monochrome photography

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19th century

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celebration photography

Dimensions image: 36.3 x 24 cm (14 5/16 x 9 7/16 in.) sheet: 50.6 x 40.7 cm (19 15/16 x 16 in.)

Editor: This is Robert Frank's "Bad Dream in Los Angeles," created in 1978. It looks like two photos, or maybe a diptych, printed together in stark black and white. The upper one is of a cracked sign, maybe, and the lower shows a beat-up television. The overall mood feels unsettling, a bit claustrophobic. What do you see in this piece? Curator: Immediately, I’m drawn to the symbolic weight of decay and obsolescence. The broken sign, perhaps a relic of a bygone era of optimism, speaks volumes about the ephemeral nature of American dreams, particularly in a place like Los Angeles that is ever evolving. The damaged television below… is it a passive observer or an active participant in this 'bad dream'? Editor: It feels very intentional, that pairing. The broken screen reflecting something broken inside, maybe? Curator: Precisely! Frank is masterfully playing with visual metaphor. Consider the television as a mirror reflecting society’s anxieties back at itself. Its presence in the domestic space complicates things, doesn't it? It suggests an intrusion of the external world. Are the tattered papers taped to it remnants of failed connections or attempts to silence it? Editor: So, it’s not just a personal bad dream, but maybe a collective one? Curator: Absolutely. What else could it be with all of the historical references piled here! Frank often used photographic layering to reveal these kinds of fragmented, multi-layered experiences. The 'bad dream' extends beyond individual experience. What feeling do you come away with? Editor: I guess it's a potent reminder of the fragility of things – promises, technology, even our sense of reality. It really stays with you. Curator: Indeed. And for me, I see echoes of Frank’s broader commentary on American culture and its evolving iconography, the shadows we seem so content to carry and recreate, over and over again.

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