Caster (?) by Vincennes Manufactory

Caster (?) 1740 - 1755

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ceramic, porcelain, sculpture

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landscape

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ceramic

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jewelry design

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porcelain

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figuration

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culinary art

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sculpture

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ceramic

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decorative-art

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rococo

Dimensions: Height (with cover): 5 7/16 in. (13.8 cm)

Copyright: Public Domain

Curator: This is a porcelain "Caster (?)," believed to be from the Vincennes Manufactory, dating roughly from 1740 to 1755. Editor: Oh, how lovely! It possesses an immediately pleasing symmetry, its bulbous form cradling a detailed landscape scene with figures in such a soft palette of colors. There is an incredible softness overall in form and figure. Curator: Absolutely. Let's consider the painting; it encapsulates Rococo sensibility. The placement and form of the landscape is contained within a clearly marked decorative border and shows what might be figures from the French court enjoying each other’s company in the countryside. Editor: One can detect clear aesthetic signifiers of wealth in this small ceramic piece—its craftsmanship is exceptional. Who exactly did the Vincennes Manufactory serve during the mid-18th century? Curator: It was one of the most important porcelain factories in Europe and largely served the French aristocracy and other European royalty. Pieces such as this could have functioned both decoratively and as part of a tablescape or as functional culinary piece used in serving pastries or spices at court. Editor: The shape, though elegant, seems unusually squat. Is the function more important than it would initially seem? Curator: The slightly compressed shape and the detailed miniature scene of the aristocracy might reflect shifting social roles within the French court in the early 18th century. The gilded lip perhaps emphasizes the high value that French elites placed on these kinds of ceramics, in part, also emulating the tastes of the King’s court at Versailles. Editor: Considering it through that socio-historical lens clarifies the artistry—not just a mere decoration, but a microcosm of its time. It becomes so evocative of aristocratic sensibilities, the attention to detail, and the subtle expressions within a social setting, the landscape and the object are as a unified idea of a place. Curator: Precisely. This caster allows us to see shifts within power and how luxury porcelain served the aristocracy’s need to place itself within their imagined version of the court. Editor: What a lovely and insightful way to reconsider the context through its making and its potential functions. Curator: Indeed, understanding both its form and sociopolitical implications reveals the depth behind even seemingly simple pieces.

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