Laat ons dat incroijable leven, / Een schets van 's menschen dwaasheid, geven by Glenisson & Zonen

Laat ons dat incroijable leven, / Een schets van 's menschen dwaasheid, geven 1833 - 1900

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lithograph, print

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comic strip sketch

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narrative-art

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comic strip

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lithograph

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print

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cartoon sketch

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figuration

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comic

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line

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cityscape

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genre-painting

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cartoon carciture

Dimensions height 427 mm, width 313 mm

Curator: This lithograph, dating from somewhere between 1833 and 1900, is titled "Laat ons dat incroijable leven, / Een schets van 's menschen dwaasheid, geven," created by Glenisson & Zonen. Editor: The overall impression is quaint, almost like looking at a series of slightly faded postcards. The line work is simple but very effective in delineating the characters and settings. Curator: Indeed. The arrangement of these little scenes suggests a narrative sequence, almost a comic strip before its time. I see recurring visual motifs like the figures in frock coats and top hats, immediately situating us within a specific cultural milieu and timeframe. Editor: The recurring characters, rendered as caricatures, suggest a study of social types, perhaps satirizing certain behaviors or customs. Note how gestures are emphasized—the pointing fingers, the raised arms. Are we to interpret these as allegories of folly, in line with the title? Curator: Possibly. Considering this work’s semiotic composition, we can delve into the visual language it employs. Notice the limited palette; primarily greens, yellows and reds define the spaces. Editor: The prevalence of certain symbols—horses, carriages, refined figures engaged in leisure—reflect the aspirations and perhaps the absurdities of bourgeois life. It speaks of status and its performance. This visual grammar suggests the prints would've functioned as humorous moralizing tales of sorts. Curator: Absolutely. There’s an interplay between order and chaos here, reflected in the meticulous execution of form against the exaggerated postures of the subjects depicted. This dynamic mirrors societal structures and their potential for comedic disruption. Editor: So, it’s not just about the surface-level charm of these scenes but about uncovering layers of cultural memory and the anxieties of the time, encapsulated within these archetypal figures. Curator: A structured folly rendered in ordered boxes. The balance achieved provides a structured yet satirical representation. Editor: The details hold a wealth of clues, it becomes more than just a piece of ephemera, doesn't it?

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