Maria auf Wolken stehend, zwischen Anbetenden mit Rosenkränzen 

Francesco Vanni’s drawing presents us with Mary standing on clouds, adored by figures clutching rosaries, while angels hover to crown her. The rosary, a string of beads used for prayer, is central here, linking the earthly and the divine. This tactile object connects the faithful to Mary, who is elevated yet accessible. We see similar gestures of supplication across cultures. Consider the votive offerings in ancient Greek temples or the shimenawa ropes tied around sacred trees in Japan, all tangible expressions of devotion. The motif of the crown, placed by angels, elevates Mary to a queenly status, a symbol of power and divine favor. From the laurel wreaths of Roman emperors to the elaborate headdresses of ancient Egyptian pharaohs, the crown signifies authority and the crowning ritual is a powerful, recurring image, deeply embedded in our collective consciousness. Such symbols engage us on a subconscious level, tapping into humanity's shared experiences. Vanni's drawing reminds us that these images do not exist in isolation, but are part of a rich tapestry, resurfacing and evolving through time.