Dimensions: support: 768 x 639 mm frame: 948 x 822 mm
Copyright: CC-BY-NC-ND 4.0 DEED, Photo: Tate
Curator: Here we have Michael Dahl's portrait of Mrs. Haire. The piece is currently housed in the Tate Collections. Editor: There's a quiet melancholy about her gaze, isn't there? It's amplified by that dark background. Curator: Dahl was a prominent portraitist of the late 17th and early 18th centuries. He captured the likenesses of many prominent figures in British society. Editor: The green of her dress, it’s a strange choice. It’s not quite vibrant, almost subdued. Perhaps it's symbolic of something beyond mere fashion. A longing or a fading hope? Curator: Perhaps. Or maybe it was simply the fashion of the moment, highlighting the sitter's status and wealth in a society obsessed with appearances. Editor: The way light catches on her face… it reminds me of similar depictions of feminine virtue. The symbolism of light and dark playing out on her features. Curator: It's fascinating how portraiture served as both a personal record and a public statement during that era. Editor: Indeed, a beautiful, thought-provoking work that rewards a longer look. Curator: One that reminds us of the public and private lives of women in the past.
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http://www.tate.org.uk/art/artworks/dahl-portrait-of-mrs-haire-t06499
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An inscription on the back of this portrait identifies the woman as ‘Mary Haire’, but we don’t know exactly who she was. The stark background of the portrait, with its prominent cast shadow, is typical of Dahl. He also often used bright, unexpected colour, such as the fresh pale emerald green; this may once have been even brighter. Dahl was a Swedish painter who trained in Stockholm but settled in London in 1689. He headed a large and successful studio, rivalling Godfrey Kneller’s, and was a favourite at Queen Anne’s court. Gallery label, February 2016