Artus Wolfaerts c. 17th century

Curator: Before us, we have Cornelis Galle the Elder's engraving of Artus Wolfaerts, currently housed at the Harvard Art Museums. Editor: My first thought is that there is a somber dignity portrayed here, wouldn't you agree? Something about the tight detail and dark tones gives it that serious feel. Curator: Indeed. Wolfaerts was known for history paintings and large altarpieces, and Galle, as an engraver, frequently reproduced works by prominent artists. The inscription even calls Wolfaerts a "painter of human figures." This image would then serve as a kind of... dissemination of the image of the artist. Editor: Right, it's about solidifying Wolfaerts' cultural presence. Even the ruff collar and draping cloak speak to a self-conscious presentation, carefully crafted for posterity. It is the deliberate construction of a persona within a specific socio-historical context. Curator: Yes, and notice the artist's hands. They're clasped but expressive, suggesting intellect and creativity. Hands, of course, have always been a symbol of one’s talent, capability, and spiritual capacity. Editor: I am struck by the power of this visual representation of status and the perpetuation of historical narratives. Curator: It really allows us to think about how these images can immortalize a person and his work.