Belle Evesson, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes 1885 - 1891
drawing, print, photography, collotype
portrait
drawing
photography
collotype
19th century
Dimensions Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm)
Curator: A dreamy softness permeates this photographic print, entitled "Belle Evesson," part of the "Actors and Actresses" series created by Allen & Ginter between 1885 and 1891. Editor: The immediate impression is of a gentle elegance. The muted tones, almost sepia, lend a nostalgic, romantic feel. I see how the collotype medium supports the tonal subtleties of the image. Curator: Absolutely. These small cards, produced as advertisements for Virginia Brights Cigarettes, circulated widely, becoming early examples of mass media imagery shaping public perception. Think about how actresses gained visibility through commercial products. Editor: And I notice the composition, how Evesson is positioned slightly off-center, with the asymmetrical drape of her dress creating a visual flow. Even the faded floral details behind her contribute to the overall softness. Semiotically, those are elements of staged romanticism, almost an invitation to indulge. Curator: Indeed. This image and others like it were tools to not only promote consumption, but also project ideas of celebrity, beauty and aspiration to its largely male consumer audience. It’s hard to imagine an image of someone prominent today attached to, say, vaping. It was different in that time. Editor: And how different for Evesson! This massification created opportunities while at the same time boxing her image within a brand's narrative. I would also wager this increased the demands, expectations, and constant performance inherent in celebrity. This is early fan culture shaping what acting is, as a career. Curator: Right. Though now aged and faded, the carefully constructed artifice speaks volumes about 19th century commercial and theatrical culture and those relationships. I'm compelled to contemplate it. Editor: And through this, it reframes the ways we see even portraiture today; the formal strategies used to signify allure are still very potent, maybe because the images live on so vividly like this one. It has an elegant resonance.
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