Watervogels aan de kust 1799 - 1854

Amable Nicolas Fournier created this print, "Watervogels aan de kust", using etching and engraving. Fournier's work captures the intersection of natural science and artistic representation at a time when European exploration and scientific classification were intensifying. These meticulous depictions of seabirds, with their French names elegantly inscribed, speak to the colonial gaze through which the natural world was often viewed. What does it mean to name and classify these creatures, to render them as specimens on a page? Does it diminish or amplify their intrinsic existence? The artist invites a dialogue between the observer, the observed, and the historical context that frames their encounter. What do you feel when looking at this image?