Hermann Struck 1920

Editor: Here we have Lovis Corinth’s 1920 pencil drawing, "Hermann Struck." It’s a really compelling portrait, very raw and immediate. What stands out to you when you look at this piece? Curator: The power of this drawing lies in understanding the social context in which it was created. Germany, 1920, was reeling from the aftermath of World War I. There was political and social unrest. Expressionism, the movement Corinth aligned with, often reflected these anxieties. Editor: So, you’re saying it’s a reflection of the times? How does that show through? Curator: Precisely. The sketch-like quality, the raw, almost unfinished lines, suggest a society grappling with uncertainty and the disintegration of established norms. Also consider the subject. Editor: You mean Hermann Struck? Curator: Yes. He was also a prominent artist and, importantly, Jewish. Think about the rising tide of antisemitism during this period. A portrait like this, made by Corinth, an artist of considerable standing, can be seen as a quiet act of solidarity. Do you see the socio-political forces shaping its public role? Editor: I do now! It’s like Corinth is using his platform to acknowledge Struck at a time when doing so carried certain risks. Curator: Exactly. And the museum, in exhibiting this piece, continues that act of recognition and challenges us to confront uncomfortable histories. Editor: I had only seen it as an interesting sketch, but knowing the background makes it so much more meaningful. Curator: Indeed, art often operates in complex social landscapes, influencing and being influenced by the politics of its time. Context is critical to interpretation. Editor: I will keep that in mind! This has opened my eyes to a different dimension of portraiture. Thanks for your insight!