Portret van Stéphanie Félicité, gravin van Genlis by Antoine Jean Baptiste Coupé

Portret van Stéphanie Félicité, gravin van Genlis 1794 - 1846

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print, engraving

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portrait

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neoclacissism

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print

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old engraving style

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figuration

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pencil drawing

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line

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engraving

Dimensions height 240 mm, width 158 mm

Curator: Here we have a portrait print of Stéphanie Félicité, Countess of Genlis, an engraving realized somewhere between 1794 and 1846 and now residing here at the Rijksmuseum. It’s credited to Antoine Jean Baptiste Coupé. Editor: She looks terribly serious, almost as if she's been caught in a rather unflattering moment. The lace on her bonnet seems about to engulf her! Curator: Well, observe the fine lines, the intricate details achieved through the engraving process. Consider the neoclassical emphasis on line and form in rendering her features. Notice how the light is captured, accentuating her cheekbones and the set of her jaw. It all serves to create an image of respectability. Editor: Yes, technically proficient, but what a stern face! There's a sort of melancholy to her gaze that is impossible to overlook. Is this the weight of history on her shoulders, do you think, given that timeframe? She must have witnessed considerable changes. Curator: Undoubtedly. But her countenance isn’t the sole carrier of meaning. Consider the very deliberate composition and the use of line—the engraver sought to convey the sitter’s social status. Observe, too, the title just beneath the portrait; it includes an age, "à 60 ans". The intention, therefore, appears forthrightly documentary. Editor: I wonder what she would make of this representation of herself now, all these centuries later? I imagine she’d be slightly mortified and hoping we have a bit more fun these days! It's a strangely intimate encounter, peering at her like this, separated by time. Curator: Precisely, our engagement transcends mere historical curiosity, touching upon the dynamics of representation itself. Her slightly asymmetrical smile, if we consider it closely, subtly subverts that air of the "documentary" and perhaps affords us that sense of intimacy after all. Editor: Ultimately, though, it does make me ponder the lives and stories etched in those fine lines—both in her face and the engraver's craft. It serves as a good reminder of our shared human story.

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