Dimensions: support: 857 x 1092 mm
Copyright: CC-BY-NC-ND 4.0 DEED, Photo: Tate
Editor: So, Frederick Richard Lee's "Sea Coast, Sunrise" shows a coastal scene with figures and horses. The heavy sky contrasts with the activity on the ground. What do you see in the way this was constructed? Curator: Lee's painting highlights the relationship between human labor and the natural environment, doesn’t it? Note how the composition draws attention to the workers on the beach, emphasizing their industry against the backdrop of the sunrise, and the material culture that supports them. Editor: That's interesting, focusing on labor and materials. I hadn't considered that. Curator: The brushstrokes, the tones...they all point to a deliberate depiction of human effort within a specific social context, the working class, wouldn’t you agree? Editor: I see what you mean. Thanks, that gives me a new perspective. Curator: Indeed. It changes how we understand this piece, seeing it as a reflection of the means of production rather than just a pretty sunrise.
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http://www.tate.org.uk/art/artworks/lee-sea-coast-sunrise-n00419
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Like a number of paintings shown in this room, the primary effect of this coastal scene is one of extreme contrasts of colour. The pale tones of the sunrise and chalky coastal rise are dramatically divided by dark areas of cloud and coarse grass. In the foreground, the two horses pulling the cart accentuate the gentle undulation of the track. Gallery label, September 2004