Daisy Hall, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes by Allen & Ginter

Daisy Hall, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes 1885 - 1891

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drawing, print, photography

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portrait

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drawing

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toned paper

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print

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photography

Dimensions Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm)

Curator: Here we have a trade card, one of a series created between 1885 and 1891 by Allen & Ginter. This one features Daisy Hall, an actress, and it was produced as part of a promotional series for Virginia Brights Cigarettes. Editor: Right away, she reminds me of someone from a pre-Raphaelite painting, with that flowing hair and slightly dreamy, distant gaze. It has a quiet sort of beauty. Curator: The Actors and Actresses series reflects the popular culture of the late 19th century, using the fame of entertainers like Daisy Hall to market products. It also speaks to the era's evolving ideas about celebrity and gender, with women performers becoming increasingly visible in the public sphere. Editor: Interesting how a small portrait can open up a discussion about women's public role. The sepia tone adds another layer, doesn't it? It’s almost like looking at a memory. Were these widely collected do you think? Curator: These cards were inserted into cigarette packs, so they circulated broadly. Tobacco companies realized that people loved to collect series, and using famous figures boosted appeal. This particular card likely fueled conversations around ideals of feminine beauty, popular theatrical productions, and the shifting dynamics of celebrity endorsements in advertising. Editor: Absolutely! And considering these were marketed alongside cigarettes, it feels complicated. Beauty, celebrity, desire, death… all rolled into one little piece of card. But there’s a charm, too. I find the design quite lovely in its own, simple way. Curator: Definitely. It’s a little portal to another time. Considering that there were also issues that focused specifically on, let's say, baseball players, we begin to see an interesting intersection of social values embedded in very unassuming little objects. Editor: Yeah, like little time capsules with the actors' dreams, fears, successes… It's a little reminder that everybody, no matter what they did, lived, dreamed, and hoped just like us. I find it a little profound, honestly. Curator: I think you've really captured the subtle power of pieces like this. They’re more than just promotional ephemera; they reflect an era’s preoccupations and passions, wrapped up in the accessible form of popular entertainment and mass production.

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