Hand guard 1700 - 1800

Curator: Here we have a fascinating object: an 18th-century hand guard, sometimes referred to as a tsuba. It was created by the artisan Kunishige and crafted from metal. Editor: Immediately, I'm struck by the object's subdued palette, dominated by that warm bronze tone. But look closer, and you see flecks of turquoise and cream—is that enamel work? The shape itself is quite intriguing, like three interconnected lobes. Curator: Yes, that muted bronze does carry a certain weight, doesn't it? But it is not merely decorative; the metalwork suggests a complex visual vocabulary embedded within martial culture. The floral motifs and dragon figures carry symbolic meanings of power, longevity, and perhaps even gentility within a warrior's persona. Editor: I see the dragon figures now that you point them out! It is interesting how the organic shapes of the dragon and floral reliefs seem to fight the overall symmetry of the tsuba itself. Also, have a look at how the opening at its center directs our eye. It is functional, sure, but visually it almost acts like the pupil of an eye. Curator: An eye staring back at the wielder, perhaps? Absolutely. The visual symbolism is strong and suggests protection, vigilance. The tsuba doesn't just guard the hand; it speaks to the character expected of its user. The rope motif around the border acts as a continuous link, emphasizing continuity, loyalty. Editor: That border truly unifies everything! For a utilitarian object, there is quite a rich combination of texture and technique. Even the tooling and hammering marks on the bronze add a visual rhythm, playing with light and shadow. Curator: Indeed, it is this confluence of function and deeper meaning that draws me in. We glimpse a complex system of beliefs through an object designed for protection and combat. What does it tell us of our culture? It shows the balance between force and finesse. Editor: I agree! It has been really captivating to see the way form and cultural narrative coexist.