Vrouwelijk naakt met putto aan de hand by Anonymous

Vrouwelijk naakt met putto aan de hand c. 1645 - 1706

0:00
0:00

drawing, paper, ink, pen

# 

drawing

# 

allegory

# 

baroque

# 

figuration

# 

paper

# 

ink

# 

pen

# 

genre-painting

# 

academic-art

# 

nude

Dimensions: height 157 mm, width 122 mm, height 160 mm, width 125 mm

Copyright: Rijks Museum: Open Domain

Editor: This pen and ink drawing on paper is called "Vrouwelijk naakt met putto aan de hand", or "Female Nude with Putto by the Hand", and it dates from around 1645-1706. It feels like an intimate, perhaps even classical portrayal of motherhood or femininity. How do you interpret this work? Curator: This image compels us to consider the dynamics of power and representation. The anonymous creation of this drawing points to a fascinating tension. On one hand, we see the classicism of the Baroque period in the idealized figures and the allegorical theme, with the nude female figure accompanied by a putto, suggesting Venus or divine love. But anonymous, really? Let's consider how academic artistic traditions perpetuated a visual language that simultaneously elevated and objectified the female form. Who benefits from this gaze? Editor: I see what you mean. It feels idealized, but distant. Do you think the artistic training of the time played a role in this depiction? Curator: Absolutely. Academic art, deeply entrenched in systems of patronage and power, emphasized certain aesthetic values and controlled the narrative. How does that training contribute to the representation of gender and power within the image itself? Is it the 'artist's' eye, or simply a mirror of society? Editor: I hadn’t thought about the power structures involved. Seeing it this way makes me question what narratives are being told through this drawing and whose perspective is missing. Curator: Exactly! And, considering this work now, what kind of interventions, acts of 're-figuration', might we do to open up ways of seeing? Editor: It's like peeling back the layers of history and challenging those established views. This has given me so much to think about regarding the social context of art and the power of visual representation. Curator: Indeed. Art history, at its best, is a conversation that compels us to interrogate, reimagine, and actively participate in creating a more equitable and nuanced understanding of our world.

Show more

Comments

No comments

Be the first to comment and join the conversation on the ultimate creative platform.