Clip van zilver, 'Aronskelk' met gefacetteerde melkwitte chalcedoon c. 1935 - 1936

Editor: Here we have a silver clip, "Aronskelk," or arum lily, created around 1935-1936 by Firma Gaillard. It also features a milky white chalcedony. It feels very sculptural, but also quite delicate. What strikes you about this piece? Curator: The compelling feature resides in the interplay between form and texture. Observe how the hammered silver creates a tactile surface, contrasting with the smooth, faceted chalcedony. This juxtaposition underscores the art deco aesthetic. Editor: Art Deco, certainly. I also notice the elegant curve of the silver. Does that contribute to the overall design? Curator: Precisely. The curved lines, characteristic of the arum lily, are elongated and stylized. Notice how the artist captures the essence of the flower rather than providing a literal representation. Consider the use of positive and negative space – how the open area around the chalcedony accentuates the form of the silver. Editor: That’s a good point. So, it's not just about what *is* there, but what *isn't*. Is there a meaning or intention in the choice of these materials, silver and chalcedony? Curator: One must consider their material properties. Silver offers malleability, allowing for detailed shaping, while chalcedony introduces a milky translucence that catches the light. The reflective quality of silver plays with the diffused glow of the gemstone. Editor: Fascinating. I see the piece in a completely new light, paying attention to its design and textures now. Curator: By engaging with the inherent properties and relationships of formal elements, one arrives at a deeper aesthetic understanding.