Annunciation, Mary kneels at a lectern as Gabriel approaches on a cloud from the left, with the dove of the Holy Spirit above, trimmed from an engraving showing decorations for thimbles by Johann Theodor de Bry

Annunciation, Mary kneels at a lectern as Gabriel approaches on a cloud from the left, with the dove of the Holy Spirit above, trimmed from an engraving showing decorations for thimbles 1580 - 1600

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drawing, print, engraving

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drawing

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narrative-art

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print

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old engraving style

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bird

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figuration

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line

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history-painting

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italian-renaissance

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engraving

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virgin-mary

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angel

Dimensions: sheet: 1 1/8 x 11/16 in. (2.9 x 1.8 cm)

Copyright: Public Domain

This tiny engraving of the Annunciation by Johann Theodor de Bry captures a pivotal moment with potent symbols. We see Gabriel approaching Mary, a dove representing the Holy Spirit above, and lilies between them. Consider the lily, a symbol of purity and innocence, often linked to the Virgin Mary. Its presence here is not merely decorative; it is a visual echo of Mary's immaculate conception, a concept that has been depicted across centuries and cultures. This symbol has a profound psychological resonance, tapping into deep-seated notions of purity, creation, and renewal. Now, consider the dove, how this symbol transcends Christianity. Long before this engraving, birds were associated with the soul. The dove's descent embodies a divine connection, a spiritual intervention that transforms the human world. This image becomes a powerful force, engaging viewers on a subconscious level by conjuring the mystery and emotional weight tied to these ancient motifs.

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