Bijbelsche geschiedenissen uit het Nieuwe Testament 1871 - 1908

Curator: Here we have “Bibelsche geschiedenissen uit het Nieuwe Testament,” or "Biblical Stories from the New Testament," a print created between 1871 and 1908 by W. Cheshire. It appears to be a series of engravings, neatly arranged on a single sheet. Editor: My first impression is that this work is a study in contrasts, between light and dark, figures in motion and stillness. It feels very Victorian, with a stark sensibility, even didactic. Curator: Indeed. Cheshire’s technical skill is apparent in the density of lines, particularly how the composition in each engraving conveys depth and form. Observe the variations in mark-making to create texture. The light seems almost directed, doesn't it? Editor: The compositions also speak to a particular moment in the history of printmaking, reflecting a desire for affordable art to reach wider audiences—functioning as both education and moral instruction. We might consider the socio-political contexts where mass-produced imagery gained importance. The narratives presented here, of course, would carry different resonance for viewers. Curator: The narrative sequencing draws me in. We move between various biblical scenes, from agricultural labour to darker moments of trial and betrayal. Semiotically, consider the weight of the palm tree appearing consistently as both an architectural detail and signifier of place. Editor: The figure groupings and how they engage with each vignette feel especially staged. It’s as if Cheshire is creating these as mini morality plays. The social codes evident through gesture and framing also deserve interrogation. What behavioral patterns are implied here and for whom? Curator: Agreed. Also, each image creates a satisfying figure-ground relationship that directs the eye within the entire arrangement, which is so balanced! Editor: It has given me much to consider regarding religion and cultural interpretation. The Victorian context significantly shapes these renderings. Curator: It's certainly made me reflect upon the craftsmanship of engraving and the power of tonal range. Thank you.