On the Wye 

Editor: This is "On the Wye" by Richard Wilson. The brushstrokes really give texture to the hills. How does the location affect how we view it? Curator: It is interesting how Wilson crafts an idea of untouched nature. Look closely at the pigments; ochre, umber, and lead white. These materials, often sourced through colonial trade, allowed Wilson to create this seemingly "natural" scene. Editor: So the materials used shape our understanding? Curator: Precisely. It encourages us to consider the economic and social systems intertwined with the creation and consumption of landscapes like this. Editor: I hadn't thought about that! Thanks, that gives me a lot to think about. Curator: My pleasure. It’s all about questioning what we see and the forces that shape it.