Pulpit - San Buenaventura Mission 1935 - 1942

This watercolour design of a pulpit was made by Dayton Brown in 1932. The rendering is so precise, like a blueprint, but the washes of colour give it a real sense of depth. It reminds me that art-making is often a process of trying to capture something real, even if it exists only in the imagination. Look at the way Brown uses watercolour to create these jewel-like details. The paint is applied in thin, translucent layers, allowing the light to reflect off the paper beneath. Notice that central, red flower in its decorative frame. The colour is built up gradually to give it a luminous, almost ethereal quality. The way Brown balances precision with these soft, watery effects is really interesting. It’s like he’s trying to capture both the physical form and the spiritual essence of the pulpit. It puts me in mind of Charles Demuth, who also combined a similar level of detail with watercolour to create something both realistic and slightly dreamy. It reminds us that art is always a conversation, an ongoing dialogue between artists across time.