Portrait of Old John, Head Waiter at the King’s Head Inn in Derby c. 1780

Curator: Ah yes, "Portrait of Old John, Head Waiter at the King’s Head Inn in Derby," painted around 1780 by Joseph Wright of Derby using oil on canvas. It's quite a striking character study. Editor: It's compelling! I immediately notice how the darkness emphasizes Old John’s face and his crimson jacket. It feels almost…staged. What do you make of this portrait? Curator: Well, it speaks to the rising status of the working class during the late 18th century. Wright, known for his fascination with industry, here immortalizes a man who, while not a member of the aristocracy, clearly held a respected position within the community. Look at the subtle details in the brushwork suggesting the quality of the fabric and tailoring; even the wig implies certain cost in production. This shows value beyond pure aesthetic enjoyment; rather, Wright’s skill in depicting material contributes to social representation. Editor: That’s a really interesting perspective! It's easy to get caught up in the sitter’s expression, overlooking the way Wright meticulously represents his material world. Was commissioning portraits becoming more accessible to non-elites? Curator: Exactly. As manufacturing and trade flourished, so did a new kind of consumerism. This demand, reflected in artistic patronage, challenged traditional power structures and broadened notions of who deserved representation, depicted not merely in their ‘likeness’ but by what was consumed in the social hierarchy. What do you think is communicated by his material choices such as the rose boutonniere on his lapel? Editor: It makes him feel like a personality, it’s so distinguished! Seeing those social dynamics through material culture really opens my eyes. Thank you! Curator: Precisely, art isn't just about what we see; it is about understanding what went into its making and its purpose within a societal framework. I'm glad this sparked a fresh consideration of eighteenth century culture for you!