Panel by Chancay

Panel 1000 - 1476

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fibre-art, weaving, textile

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fibre-art

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weaving

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textile

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organic pattern

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geometric

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pattern repetition

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imprinted textile

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indigenous-americas

Dimensions 102.6 × 73 cm (40 3/8 × 28 3/4 in.)

Editor: Here we have a Chancay textile Panel, created sometime between 1000 and 1476. It appears to be a woven fiber art piece, dominated by these interesting diagonal patterns. There’s a rhythm in the repetition, yet each band seems to possess unique geometric or representational elements. What stands out to you in terms of its composition? Curator: Note how the panel's design isn't symmetrical but displays an organized repetition. The diagonal orientation, in itself, directs the eye along these carefully crafted lines. The formal aspects are primary here. The artist has meticulously structured the relationship between positive and negative space to achieve balance. The lines form shapes, and shapes then make these representational forms such as avian figures. What's striking is the consistent width of each band. How do you feel that influences the overall effect? Editor: I hadn’t thought about the uniformity of the bands, but it does create this sense of order despite the internal variations of figures and geometric shapes. So, is the interest of the artwork how well it all has been planned out formally? Curator: Exactly! Observe the subtle variations within that seemingly rigid framework. Do you notice the minute shifts in tone and texture across the textile’s surface? These subtle differences complicate and enrich the visual experience, preventing the work from becoming monotonous or overly predictable. There is no such thing as complete repetition in the best pattern designs. Editor: Yes, I can appreciate that better now! The control paired with the variation is intriguing. It gives a certain depth to the work that's almost understated. Curator: Precisely. The interplay between control and variation showcases the textile’s inherent visual properties. This helps demonstrate structure on both a macro and a micro level. Hopefully, that has improved your view of formal properties and relationships. Editor: It has, immensely! I see it not just as a pattern but as a system of visual relationships carefully orchestrated to achieve a harmonious whole.

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