Portrait of Theodorus Schrevelius, Rector of the Latin School in Leiden 1700 - 1732

Arnoud van Halen painted this miniature portrait of Theodorus Schrevelius, Rector of the Latin School in Leiden, using oil on copper. While van Halen was a skilled printmaker, it’s the handling of paint that really catches the eye here. You can see the soft blending of tones in Schrevelius’ face, capturing his aged complexion. Notice the ruff around his neck; each fold delicately suggested with subtle highlights and shadows. Oil paint allowed van Halen to build up these layers, creating a sense of depth and volume in such a small format. The choice of copper as a support is also significant. It would have provided a smooth, non-absorbent surface, ideal for achieving fine detail. Plus, the metal would have added a subtle luminosity to the paint, enhancing the overall effect. The technique highlights the increasing specialisation of artistic skills in the 18th century and the growing demand for portraiture among the middle classes. Paying attention to the materials and processes helps us appreciate the level of artistry involved in this intimate portrayal.